Objective: [One Way Or Another I was going to] turn a cone [ROCHELLE DYERS – PROD DATE: Jan 19, 1998 – LOT #: 1857 – COUNT: 1/16 – COL: FAIRWAY ROYAL – BLEND: A/P – P.O. #: MP11-14D] of 1-ply, natural fiber, thread into a 4-ply natural fiber thread to match a 3-ply, presumed natural fiber, grey thread.
I’ve spent more than half the morning trying to accomplish this.
Aiyaa! The minute the cake flew off the winder, I knew I was in trouble.
When my 2-ply cake thread broke, I resorted to winding a second cake.
Upon my final 4-ply, I kept pulling up clots, which at first I broke and knotted. After getting too many in succession, I figured I would just make a knobby thread, but that won’t match. I will just cut off excess.
The picture shows my waste on the left. I dare anyone to try untangling that much thread.
This will be my new carry-along project, which I will create with a simple repeating stitch and no pattern.
In the end, I discovered that the presumed natural fiber grey thread was actually a man-made fiber…aiyaa!
Anna Sun represents the use of all my heavier, bulky-weight yarns. Again, because there are different weights of yarn with different fiber contents (man-made and natural, all per burn test), there is some cinching of the width in some places, and again, if the cowl is doubled- or triple-wrapped during wear, the cinching becomes unnoticeable.
I was able to identify the Lion Brand Homespun because it came from my stash and I used it for the border: purple and blue stranded together; the Trendsetter Blossom was a unicorn tail with label attached.
* Yarn color unidentifiable due to missing information and/or label.
One yarn was labeled, but I lost it. 🙁 Because I the yarns were different weights, I had to double-strand some, which accounts for some cinching of the width, but while wearing doubled-up, it becomes unnoticeable.
I think I will try to sell first, as I have a business plan now and could certainly use some additional income. 🙂
I feel like the end is near and have developed a desire to crochet/knit all my good yarn before I die because I hate to see it being sold at a yard sale for fifty cents per skein.
Back in 2014 a group of friends and I ventured downtown on public transportation. We lunched at Philippe’s and then ambled over to Gather DTLA to visit another friend.
It was in Gather DTLA that I purchased the skein of Lucky Lamb Yarn (multicolored). Had I been more experienced, I would have purchased enough yarn to actually make something. I’ve treasured it over the years more than actually looked for patterns using a small amount (250 yards). Unable to design something on my own back then, I have finally evolved to a level where I can improvise something simple. I was fortunate to find the complimentary solid colors in my stash: Lana Gatto Feeling in rust and Universal XF Merino Superwash in grey.
Unfortunately, I caught a mistake while examining, but it was four rows down and I didn’t want to tink back – I only ? on flat pieces and only when there is no other option. Doubling up, I noticed another mistake in the picture…grrr!
Cast On: May 11, 2016 Cast Off: September 1, 2016 Pattern:The Age of Brass and Steam by Orange Flower Yarn Yarn:Berroco Vintage DK (Fiber Content: 52% Acrylic, 40% Wool, 8% Nylon; Yarn Color: 2189; Yarn Weight: 3, Light, DK, Light Worsted) Needle: US 6 – 4 mm Dimensions: 33 (W) x 22 (H) inches
This is a gift for my oldest friend: Judy Shigekawa, whom I met in September 1963 in our kindergarten class. We reconnected a couple of years ago at a high school reunion. Her gift choice was a dark gray shawl. I hope she likes it!
While I did use the above pattern, I did add an extra repeat. I am unsure as to whether I had enough yardage for one more pattern repeat.
The project name – Brass In Pocket by The Pretenders – is relative to the pattern name.
Aiyaa! Ravelry removed my pattern from their database for the following reason:
Unacceptable standalone chart. NOT “original” art which is what’s required for these types of patterns.
My first argument is why the fuck does Ravelry care? My best guess is that they may be liable for selling the pattern.
Okay, so I removed the chart and I am resubmitting the pattern, which you should be able to buy in my Ravelry Store; I have not updated the pattern on my patterns page, which does include the offending chart. Because the chart has been removed, I am reducing the Ravelry Store Price:USD $5.00.
On Da Hook: October 10, 2015 Off da Hook: June 26, 2015 Pattern: Improvised by Hooker Leo Hook: US 7 – 4.5 mm Yarn A:MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 284 Farmhouse White; Yarn Weight: 1, Fingering) Yarn B: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 283 Chickory; Yarn Weight: 1, Fingering) Yarn C: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 291 Hosta Blue; Yarn Weight: 1, Fingering) Yarn D: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 286 Black Walnut; Yarn Weight: 1, Fingering) Yarn E: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 285 Log Cabin Brown; Yarn Weight: 1, Fingering) Yarn F: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 287 Red Phoenix; Yarn Weight: 1, Fingering) Yarn G: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: Cape Town Rainbow; Yarn Weight: 1, Fingering) Yarn H: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 292 Ember; Yarn Weight: 1, Fingering) Yarn I: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 293 Sun Rose; Yarn Weight: 1, Fingering) Yarn J: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 289 Purple Basil; Yarn Weight: 1, Fingering) Yarn K: MadelineTosh Tosh Merino Light (Fiber Content: 100% Superwash Merino Wool, Yarn Color: 290 Medieval; Yarn Weight: 1, Fingering) Dimensions: 27 (w) x 25.5 (h)
After I was gifted with Madelinetosh unicorn tails (Yarns A-J), I chose a main color (Yarn K) and set forth to creating this shawl. I originally started at one side and was crocheting across. My idea was to continue to the center with the Medieval and then calculating how much yarn would be needed to complete it to the other side – hence the name, Get The Balance Right by Depeche Mode. However, I found calculating the middle was much more difficult than changing the orientation of the shawl, making the triangle hypotenuse the neck, thereby only requiring me to crochet till I ran out of the Medieval. I used the single crochet bar front loop stitch that I had created with How Deep Is The Ocean Scarf and I am very happy with the way this project came out.
Tosh merino light is a 100% superwash merino wool, single-ply fingering weight yarn. With a generous 420 yards per skein, one skein is more than enough yardage to complete a pair of socks and two skeins can complete a full-sized lace project. Each incredibly soft skein is hand-dyed in small dye lots.
I love this stuff! To me it’s like knitting with unsticky cotton candy. The hues of the dye work are so rich! I especially like the single-ply! Fabric drapes so well!
I consider myself to be a cheap skate, so it’s a special treat when I have extra money to spend.
Having rummaged through my stash recently to donate some yarn to Studio Royale Assisted Living Knit Group, I actually used some of my scraps to make this seamed mobius cowl, which will be donated to Handmade Especially For You. I made the mistake of “seaming” this into a mobius. I only say that because I am deciding that a mobius cowl should only be for shorter cowls that one would not wrap twice.
Only two yarns were identifiable:
Super Yarn Mart! Superlon (Fiber Content: 100% Super Spun Acrylic; Yarn Color: 100 Black; Yarn Weight: 4, Worsted)
The third identifiable yarn was the bought at The Knitting Tree, L A to finish this piece: Feza Lady (Fiber Content: 100% Nylon; Yarn Color: 112; Yarn Weight: 4, Aran)
Apparently, I got used to the new wimpy worsted weight yarns and used a US 8/H – 5 mm hook, which cause portions of the cowl fabric to be dense. Crucify me for my attitude, but it’s a donation, so I am not really concerned, but have taken the knowledge and will apply in future projects.
The name of this cowl – Natural High by Bloodstone – comes from the colors used: white, ecru, browns, blacks and greys.
If you are keen to make something similar, here is the recipe: 24 double crochets worked between stitches to desired length with a crab stitch border of the Feza Lady, triple-stranded.
I was given this project by the store owner, for a customer who’s daughter had purchased the supplies, but decided not to make the hats for her and her boyfriend. I will admit that I was not a happy hooker when I received this assignment and to be rigorously honest, I entered “angry knitting” mode. Angry knitting was explained to me by a child that came into the store one day with her mother, grandmother and great-grandmother. When I asked her what angry knitting was, she explained that her stitches were too tight. I have expanded on that definition: focused and intent knitting on a project that is challenging when you would rather be crocheting.
The patterns were well written and the hats worked in the round, an added benefit because I dislike seaming knitting. I am not a fan of DPNs, preferring a couple of circulars instead, but even this proved difficult towards the end of the first hat. On the second, I found an extra set of circulars on the table and borrowed them. Using three circulars versus two made finishing the second hat a little easier. I was asked to make the hats based on the larger size (21 inch circumference): the first one slide right over my head, which leads me to believe my tension was too loose; the second actually grips the head, so I think my tension improved.
I am glad to be done and think this is the last time I will knit something in the round. My index fingers hurt and the tightening of the stitches as the circle closes is not a fun experience, especially when you are trying to knit three together. I am glad that I got over my knitting dislike which resulted from a dropped stitch in my Black And White Cowl, which is a currently hibernating template for the Happy Cowl. I still have to finish the Orange Crush Shawl and a knitting blank, which now I wish I had crocheted versus knitting. Doh! Having done a little yarn reorganization, I also have sorted my novelty yarns from my Japanese grandmother by color and they are just waiting to become scarves, wraps, cowls, shawls…easy stuff. But all knitting will go on hold again, as I complete the Ballet-Neck Tee from Vogue Knitting Crochet Special Collector’s Edition magazine.
Cast On: February 3, 2014 Cast Off: February 4, 2014 Pattern:Ribbon Capelet by Ruth Ellen Thompson Yarn A:Louisa Harding Sari Ribbon (Fiber Content: 90% Nylon, 10% Metallic; Yarn Color: 5 Blue Silver; Yarn Weight: 5, Bulky) Yarn B:Trendsetter Aura (Fiber Content: 100% Nylon; Yarn Color: [Grey]; Yarn Weight: 4, Worsted)
I got the Louisa Harding Sari Ribbon from the store and the Trendsetter Aura from Beach Knitting before they closed. I had been wanting to make a cape and sufficed with this capelet due to the one skein of Sari Ribbon I had. This was a very quick and easy knit. I only wish I had made the grey trim thicker, but it is sufficient as it is.
The name of this project – Hotel California by The Eagles – is from my music library and I think was inspired by the colors of this capelet.